Proteism in a cinematic portrait of a woman-philosopher

Abstract

The article analyzes the image of a woman philosopher, created by modern culture, on the material of feature cinematography. Revealing a set of characteristics that belong to a woman-philosopher in the collective representations that are broadcast in motion pictures allows performing a double research vision: 1) analysis of the cultural era to which the heroine of the biopic belonged; a specific philosophical concept created by her; 2) diagnostics of the culture that created the cinematic portrait of a woman-philosopher