| DC Field | Value | Language |
|---|
| dc.contributor.author | Elaheh Soofastaei | - |
| dc.contributor.author | Hardev Kaur | - |
| dc.contributor.author | Ida Baizura Bahar | - |
| dc.contributor.author | Sayyed Ali Mirenayat | - |
| dc.date.accessioned | 2021-06-22T11:42:37Z | - |
| dc.date.available | 2021-06-22T11:42:37Z | - |
| dc.date.issued | 2016 | - |
| dc.identifier.citation | Reflection of postmodernism in Kurt Vonnegut’s selected fictions / Elaheh Soofastaei [et al.] // Научный результат. Сер. Вопросы теоретической и прикладной лингвистики. - 2016. - Т.2, №2(8).-С. 61-66. - DOI: 10.18413/2313-8912-2016-2-2-61-66. - Refer.: p. 66. | ru |
| dc.identifier.uri | http://dspace.bsu.edu.ru/handle/123456789/42215 | - |
| dc.description.abstract | Kurt Vonnegut (1922-2007) is known as one of the best American postmodern writers in XX century. This paper attempts to look at three steps of postmodernism in three of his most popular novels, such as Player Piano, Cat’s Cradle, and Slaughterhouse-five. It will categorize the evolutionary process of postmodernism in these novels | ru |
| dc.language.iso | en | ru |
| dc.subject | literary | ru |
| dc.subject | criticism | ru |
| dc.subject | american literature | ru |
| dc.subject | 20 century | ru |
| dc.subject | american writer | ru |
| dc.subject | postmodern | ru |
| dc.subject | science fiction | ru |
| dc.subject | Kurt Vonnegut | ru |
| dc.subject | accumulation | ru |
| dc.subject | synthesis | ru |
| dc.subject | autonomy | ru |
| dc.title | Reflection of postmodernism in Kurt Vonnegut’s selected fictions | ru |
| dc.type | Article | ru |
| Appears in Collections: | Т. 2, вып. 2
|
